Kevin Ducey's INFERNO


Kevin Ducey partners with Dante to condemn and mourn contemporary complacencies, lies, and antidemocratic nonsense in elegant and hilarious cantos whose liberties of translation spring from a sensitive and impassioned connection with the critical concerns of the original.  


$5.00 (plus 2.50 shipping)


Susan Landers' Selections From FRANKLINSTEIN


Drawing on language from Benjamin Franklin's Autobiography and Gertrude Stein's The Making of Americans, Landers takes us on a tour of Germantown, Philadelphia in which historical and autobiographical anecdote, site-specific story, and a critical look at race and economic relations become conditions for a quietly questioning writing practice, seeking a form for the world.  


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Paul Baker's I=M=P=L=A=N=T


A voice by turns gregarious, goofy, graceful, in-your-face and gently observant emerges from this side of a sieve of shredded translation and listening processes. Baker's debut brings disparate strands of culture and communication together and puts them in our everyday lives and engagements. 


$5.00 (plus 2.50 shipping)

CANNOT EXIST no.7

Finally! It's
Cannot Exist no.7!!!

over 60 pages of new poetry by

John Coletti
CAConrad
Corrina Copp
Beverly Dahlen
Connie Deanovich
Laura Elrick
Mike Hauser
Hailey Higdon
Sara Larsen
Kit Robinson
Ron Silliman
Dana Ward

Wow, right? Right.


$5.00

Sara Larsen's THE HALLUCINATED

THE HALLUCINATED
by Sara Larsen

(temporarily sold out)

In the visceral hallucination of walking around body and languages The Hallucinated puts a space between what you thought was said and why it was and wasn’t you who said it. Those whispers in your ear are the words that make forms of power into people. Or is it my ear, intimately addressed in highly-charged fragments with love, with disgust, as a projection of and protection from how I thought I felt? Larsen’s book conducts a not-at-all-reductive discourse with a destructive drive on the nearest ground, a city block’s empire or economy-sized neighborhood of knowing and not-knowing where we could not go without her.



Jess Mynes' HOW'S THE COWS

HOW'S THE COWS

by Jess Mynes

(temporarily sold out)

How’s the Cows fits it together and so opens it up. It’s the smoothest condensation, where objects are thought as words that themselves indicate locations of multiple occurrence. It’s a sentimentality with edges, where living passes before and after the words that seem to emerge from somewhere neither inside nor out, in a disorienting compression as astonishing as a day’s sky is in slowed-down time. This language tightens and loosens around an expertly tuned yet elusive location, springing from a need to say suffused by kindness, delight, and difficulty—a language Mynes is pushing toward total inclusion.

$5.00




Roberto Harrison's BRIDGE OF THE WORLD

BRIDGE OF THE WORLD
by Roberto Harrison


Far from pretending to dispense wisdom securely achieved, Harrison’s writing presents the search for a metaphysics fully in touch with the concreteness of personal, global and universal existence. The rhythm of these poems’ breath bears us across the book’s bridges, between the Americas, between life and death, love and pain, inscription and music, human and animal and cyberbeing, undoing their oppositions as the mind-poem seeks to open itself to each, to bear itself toward them across a gulf of difficulty. By juxtaposing stark diaristic report, chantlike rhythmic passages, and tightly woven instances of reflexive syntax and impossible image, Bridge of the World enacts a thought that exceeds conceptualization, a thought that only poetry can think—and needs to.

$5.00