CAConrad's MUGGED into poetry

MUGGED into poetry
by CAConrad

(temporarily sold out)

CAConrad’s (soma)tic reply to a knife aimed at his heart is a series of generous, dazzlingly diverse, compact poems bursting with the courage, humor and irrepressible energy that make his writing so important to so many. Friends are here, and enemies, neither left in shadow by the bright light of the ecstatic language that brings everything into a wide view of the living world. Meeting half-way the approach of our inevitable deaths, dissolving the boundaries between poem, everyday life and dream, MUGGED Into Poetry manifests the continuing expansion of Conrad’s poetics, rooted in the local and the realizing, speaking to us all.

$5.00



Submissions are still closed

We've been getting a good number of submissions, and just wanted to make it clear, since it doesn't seem to be: if this site doesn't say, somewhere, that submissions are currently open, they aren't. Hopefully, that doesn't sound chiding or otherwise unfriendly; we just want to make sure people aren't sending stuff into the void, which can be what it amounts to, as we get very busy very often and therefore take forever to write back to people who have sent work during a "closed" period.

Cannot Exist no. 6 is out!

What a pleasure it is to announce the appearance of Cannot Exist no.6!

Such pleasure derives from the 60 pages of mind-bendingly strange, heartbr(e)aking, hilarious, urgent work contributed thereto by the following masters of contemporary versification:

Michael Bernstein
David Buuck
Mairead Byrne
Jordan Dunn
Lewis Freedman
Steve Gilmartin
Bob Heman
Crag Hill
Mary Kasimor
Monica Mody
The Nonsense Company
Nicholas Ravnikar
Juliana Spahr
Jordan Stempleman
David Wolach
Joey Yearous-Algozin

You can buy the issue by clicking on the PayPal button below, or by sending a check for $6.00, made out to "Andy Gricevich," to:

Andy Gricevich
4454-D Hillcrest Dr.
Madison, WI 53705


CONTRIBUTOR BIOS AND LINKS

David Buuck:

Mairéad Byrne emigrated from Ireland to the United States in 1994, for poetry. Her books include The Best of (What's Left of) Heaven (Publishing Genius 2010), Talk Poetry (Miami University Press 2007), SOS Poetry (/ubu Editions 2007), and Nelson & The Huruburu Bird (Wild Honey Press 2003). She lives in Providence and teaches at Rhode Island School of Design. Check out the new book at http://www.whatsleftofheaven.

Jordan Dunn currently lives in Madison, WI, with his girlfriend and their infant son. He supports farms, bicycles, and parallax. He can be reached here: jordancdunn AT gmail DOT com.

With Nico Vassilakis, Crag Hill is editing a major international anthology of visual poetry, The Last Vispo Anthology. Over 130 contributors from over 20 countries.

Mary Kasimor has two books, Silk String Arias (BlazeVox Books) and & cruel red (Otoliths). She also has had poems published in online and print journals. She lives in the cruel heart of the heart country where writing poetry is necessary for survival.

Monica Mody is an MFA candidate in poetry at the University of Notre Dame. Her poems have been published in Wasafiri, Nthposition, Pratilipi, Midway Journal and other online and print publications.

The Nonsense Company (Rick Burkhardt, Andy Gricevich and Ryan Higgins) has toured nationally and internationally with its pieces of innovative chamber music and strange political theater. Its most recent project is Storm Still, an extended meditation on King Lear.

Jordan Stempleman's newest book is Doubled Over (BlazeVOX, 2009). He teaches at the Kansas City Art Institute and is the Associate Editor of The Continental Review.

David Wolach is editor of Wheelhouse Magazine & Press and a participant in Nonsite Collective. His most recent books are Occultations (Black Radish Books, 2010), Prefab Eulogies Volume 1: Nothings Houses (BlazeVox [books], 2010), Hospitalogy (Scantily Clad Press, forth. 2010), and book alter(ed) (Ungovernable Press, 2009). A former union organizer and multi-media artist, Wolach's work often begins as site-specific and interactive performance and ends up as shaped, written language. Critical work on the poetics of spatial practice and the body has appeared most recently in Jacket and Sibila: Poesia y Cultura (Brazil). He's currently at work with composer Arun Chandra on a 4-channel sound-text composition for four voices, a set of pieces which includes "modular arterial cacophony" from Occultations. Wolach is professor of text arts, poetics, and aesthetics at The Evergreen State College, and visiting professor in Bard College's Workshop In Language & Thinking. For current projects, including Wheelhouse calls for submissions, visit him at http://davidwolach.blogspot.com/

Joey Yearous-Algozin is the author of Kensington Notebook (Lean-To Press) and BOSTON STREET/TREES (Lean-To Press). His poetry has appeared or is forthcoming from Forage and the Robert Walser Society of Massachusetts. He is currently a PhD student in Poetics at SUNY-Buffalo.


Cannot Exist no.5

Featuring generous selections of amazing new writing by

Nathan Austin
Laura Carter
Kristen Gallagher
Derek Henderson
Tom Hibbard
Brenda Iijima
Paul Foster Johnson
Andrew Levy
Chris Mercer
Chuck Stebelton
Steve Timm

with a cover by Steve Dalachinsky

It's SOLD OUT.

Author Bios and Links

steve dalachinsky was born in 1946, Brooklyn, New York. His work has appeared extensively in journals on & off line including; Big Bridge, Milk, Unlikely Stories, Xpressed, Ratapallax, Evergreen Review, Long Shot, Alpha Beat Soup, Xtant, Blue Beat Jacket, N.Y. Arts Magazine, 88 and Lost and Found Times. He is included in such anthologies as Beat Indeed, The Haiku Moment and the esteemed Outlaw Bible of American Poetry. He has written liner notes for the CDs of many artists including Anthony Braxton, Charles Gayle, James "Blood" Ulmer, Rashied Ali, Roy Campbell, Matthew Shipp and Roscoe Mitchell. His 1999 CD, Incomplete Direction (Knitting Factory Records), a collection of his poetry read in collaboration with various musicians, such as William Parker, Matthew Shipp, Daniel Carter, Sabir Mateen, Thurston Moore (SonicYouth), Vernon Reid (Living Colour) has garnered much praise. His most recent chapbooks include Musicology (Editions Pioche, Paris 2005), Trial and Error in Paris (Loudmouth Collective 2003), Lautreamont's Laments (Furniture Press 2005), In Glorious Black and White (Ugly Duckling Presse 2005), St. Lucie (King of Mice Press 2005), Are We Not MEN & Fake Book (2 books of collage - 8 Page Press 2005). Dream Book (Avantcular Press 2005). His books include A Superintendent's Eyes (Hozomeen Press 2000) and his PEN Award winning book The Final Nite (complete notes from a Charles Gayle Notebook, Ugly Duckling Presse 2006).

His latest CD is Phenomena of Interference, a collaboration with pianist Matthew Shipp (Hopscotch Records 2005).

He has read throughout the N.Y. area, the U.S., Japan and Europe, including France and Germany.

Paul Foster Johnson’s first collection of poetry, Refrains/Unworkings, was published in 2008 by Apostrophe Books. The poems in this issue are from a new collection to be published by Portable Press at Yo-Yo Labs. With E. Tracy Grinnell, he is the author of the g-o-n-g press chapbook Quadriga. His poems have appeared a number of literary journals, including GAM, EOAGH, Pom2, Fence, The Portable Boog Reader 2, Antennae, Bird Dog, andOctopus. From 2003 to 2006, he curated the Experiments and Disorders reading series at Dixon Place. He is an editor at Litmus Press and currently lives in New York, NY.

Andrew Levy teaches at QCC-CUNY, serving as the Faculty Advisor on the student newspaper, Communiqué. He is the author of several books of poetry and essays, including The Big Melt (Factory School), Ashoka (Zasterle Books), Paper Head Last Lyrics(Roof Books), and Curve (O Books). Cracking Up is forthcoming from Truck Press, and Billy Dale Shoots to Kill from Chax. He is editor, with Roberto Harrison, of the arts and poetry journal Crayon.

Chris Mercer's website, which (says the editor) is full of remarkable music and research.

Chuck Stebelton works as Literary Program Director at Woodland Pattern Book Center in Milwaukee. He is author of Circulation Flowers (Tougher Disguises, 2005). Recent chapbooks include A Maximal Object (Mitzvah Chaps, 2008), Flags and Banners (Bronze Skull Press, 2007), and Precious (Answer Tag Home Press, 2005).
http://www.answertaghomepress.com/stebelton.html
http://www.woodlandpattern.org/poems/chuck_stebelton01.shtml




Cannot Exist launch reading

The Segue Series presents a reading and talk to celebrate the launch of Cannot Exist no.4!

SATURDAY, JANUARY 31st, 4-6 p.m.
Bowery Poetry Club
308 Bowery (just north of Houston)
NYC

with
Rick Burkhardt
Thom Donovan
Lawrence Giffin
Andy Gricevich
Eileen Myles
Laura Sims
Christina Strong
Rodrigo Toscano

what a great roster!

Cannot Exist no.4

Cannot Exist no. 4 is SOLD OUT!

featuring fantastic new political, philosophical, urgent, tender and angry poetry by

Christophe Casamassima
Mark DeCarteret
Thom Donovan
Raymond Farr
Andy Frazee
Jeff Glassman
Nicholas Grider
Robert V. Hale
Carrie Hunter
Jennifer Karmin
Eileen Myles
Steven Salmoni
Rodrigo Toscano

PLUS:
Each copy of Cannot Exist no. 4 features one of 125 unique covers by one of a bunch of contributing painters, collagists, photographers and text artists--mostly reproductions, but a few bona fide original works!

Call for Cover Art--Cannot Exist #4

Cannot Exist #4 will come out (I hope) sometime in December. We're seeking cover art in accordance with the following idea:

AN IDEAL:

There will be 100 copies of the fourth issue of Cannot Exist. Each of at least 50 will feature a unique cover, an original work of art not to be found anywhere else. If you make drawings, paintings, photographs, collages, visual poems, etc., either habitually or only for the purposes of such proposals, and you're interested in contributing a single cover, we'd love to hear from you. This proposal isn't restricted to professionals. We're interested in everything from happy accidents to single marks to virtuosic productions.


THE SPECIFICS:

Your work will most likely wrap around the cardstock cover of the magazine. That does mean that it will be folded in half, with three staples along the spine, and two additional folds on the ends for the wraparound (like the dust jacket of a hardcover book--plus staples, and sans spine).

It should be no more than 8 inches high by 18 inches wide. The piece of paper, canvas, etc. it's on should be at least 16 inches wide (18 is ideal), but there are no minimum height requirements, and the work itself need not take up the entire surface.

The front and back cover of the magazine (i.e., the parts that don't wrap around to the inside of the cover) together measure just over 11 inches across. A work, therefore, might be 11 inches wide with a fold down the middle, or might be two works, each around 5-and-one-half inches. It might also take up the entire 18 inches, including the folded-over sections (they aren't glued to the cardstock, so the reader will be able to lay the entire cover sheet out and view it all at once)... or any other permutation on this.

If the work is to be a wraparound outside cover, it should be on material that isn't too heavy. For comparative purposes: we usually use a 70 lb. text weight glossy paper for the wraparounds; a thin cardstock (70 lb. cardstock weight) also works, but if it gets much heavier than that, it won't fold well (it'll crack), and the staples won't want to go through it (so I'll have to tear them out multiple times, and risk damaging the cover).

You're also welcome to work directly on cardstock, or to decide to affix a work to a piece of cardstock of the correct size. If you do that, try to use a nice piece of stock that's close to the weight we usually use for the cover. If you have a copy of the magazine, you can look at the card cover to determine this. If not, it's about the same thickness as an average chapbook cover, just a bit thinner than a manila folder (and folds better). We like Mi-Teintes Acid Free Art stock, which is pretty cheap and nicely textured.

If you decide on this option, the piece of cardstock will need to ultimately be eight and three-quarters inches high by eleven and three-eighths inches wide. It can be an eighth of an inch or so wider in either dimension, but no smaller. I can cut whatever you send me, if that's necessary.

If the magazine's title can be present either literally or conceptually in the work, that would be ideal--but it's not required.

You can put your name somewhere on the work (or on the back of it), I can write it by hand in the copy whose contents it graces, or you can choose to remain anonymous.

An individual artist may choose to contribute more than one work; I have no problem printing five unique covers by the same artist.


WE ARE NOT UNCATEGORICALLY AVERSE

to the idea of using a scanned image of a work for the cover. We will understand if you really don't want to send an original and have a staple driven through the middle. If the work is in a digital medium (either a scanned copy, a digital photograph or other work in a format intrinsically given to reproduction), we may decide to use it for three or four or five or six copies. It's all in the perverse kind of math in which we deal over here at the editorial office.


EACH ARTIST GETS

our admiration and gratitude, as well as a copy of the magazine (which may or may not have a one-time-only cover; again, it depends on the math).


THE DEADLINE:

The issue will (hopefully) be out in mid-December, so getting the covers to me by the end of November would be great.


FOR QUESTIONS AND PROPOSALS

write to Andy at cantexist@gmail.com. If you've been specifically invited (e.g., we're acquainted), I probably already trust you, and you don't need to make a proposal.


Works can be sent by mail to:
Andy Gricevich
3417 Stevens St.
Madison, WI 53705